Sound Links celebrates the past, present and future of Townsend Street

The Ulster Orchestra performed three new pieces inspired by local peopleโ€™s memories of the area as part of a community block party.

On Saturday 21 September, Townsend Street was a bustling and colourful hive of live music, street performance, food and craft markets, kidsโ€™ activities and more. The Sound Links Block Party was a celebration of the street and its people, taking place on International Peace Day 2024. Part of the Belfast 2024 programme and a partnership between the Ulster Orchestra, Townsend Enterprise Park and Zeppo Arts Management, the day saw over 2,500 people visit the street for the celebrations.

The Block Party featured live performances by Winnie Ama, Boom Strutt Brass and members of Diamontes Dance and Drama School and St Louiseโ€™s Dance group. There was also a cross-community cรฉilรญ, street art and visual art workshops, and history tours.
 

A collage of people on Townsend Street participating in various performing arts activities including conducting, singing, juggling, ballet, face painting, and group dancing as part of Sound Links.

The day concluded with the premiere of three newly-commissioned works by local composers รšna Monaghan, Rory Friers and Jamie Thompson, which were performed by the Ulster Orchestra in the Foyle Foundation Hall at Ulster Orchestra at Townsend โ€“ formerly Townsend Street Church and the Orchestraโ€™s new home.

Over the past few months, several consultation workshops were held in the local area where members of the public came to share their memories and stories of Townsend Street and offer their hopes and aspirations for the future. Visits were also made to local schools, care homes, day centres and community groups, where our facilitators โ€“ writers Natasha Geary, Emily DeDakis, Fionnuala Kennedy, Maria McManus and the Ulster Orchestraโ€™s own Jonathan Simmance and Stephanie Elliott โ€“ worked with pupils, residents and attendees over several weeks to talk about their memories and ideas.
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A collage celebrates Townsend Street with Sound Linksโ€”a concert in a church, street art, a balloon artist, a singer, a man in traditional attire, and a woman dancing on stage.

These stories and ideas were gathered together and given to the three composers to inform the music they wrote โ€“ and the results were stunning, moving and uplifting. Visuals relating to the past, present and future of the street were projected during the performance, creating an atmospheric, immersive experience.ย 

รšna Monaghanโ€™s piece, โ€˜Townsend Streetโ€™ focuses on the history of the area. โ€œIt is impossible to capture a street and a community in one type of representation,โ€ รšna writes in her programme note accompanying the concert, โ€œBut my approach was to try and convey a sense of what I had understood about Townsend Street, after hearing the conversations and descriptions from the workshops and seeing photographs.โ€

รšna incorporated the kinds of sounds that would have been heard on the street in years past, such as boat and factory horns. โ€œTowards the end the orchestra pass around a single note accompaniment and melody between them โ€“ a community and a life is made up of countless individual contributions and happenings. I see the piece as an amalgamation of many elements, sometimes understood, sometimes obscure, with moments of definite clarity; much like the street, and our lives.โ€

Yellow text over a photo of Townsend Streetโ€™s lively market with people and tents, sharing audience feedback about the Sound Links arts project and its impact on reconciliation.

โ€˜101 False Startsโ€™ by Jamie Thompson deals with present day Townsend Street, the title reflecting the area being somewhat forgotten about in recent years. The small Romanian church by the Orchestraโ€™s new home provided inspiration for the music: Jamie says that he โ€œdecided to base the tonality of the piece on a major Romanian scale in C, which to my ears contains a beautiful major/minor tension, conferring a melodic slipperiness.โ€

As befits a piece about the present, the music ends with a sense of a story unfinished. โ€œLike many of the recollections from the area, the piece ends in a place of hesitancy and apprehension. There is a sense of incompleteness. It is unsure, slightly wounded.โ€

The future is the theme of Rory Friersโ€™ piece, โ€˜When the Westlink Goes.โ€™ Inspiration for the work came out of the ideas local schoolchildren gave for what the future of the area might look like. โ€œTheir ideas were full of colour, hope, and imagination,โ€ says Rory, whose piece is structured in three sections.

โ€œThe first reflects the peace and calm the children felt was so important in creating a brighter futureโ€”a quiet space that makes everything else possible. The second section dives into their excitement about progress and development, picturing a city alive with new ideas, innovation and energy. And the final section reflects hope and optimism, imagining a future full of connection, joy, and endless possibilities.โ€
 

Eight people stand in a row on Townsend Street, posing for a group photo indoors with a projected black-and-white image and Sound Links visible in the background.

Thank you to everyone who came along and shared their memories, hopes and dreams for the area with us – Bradley Manor Care Home, City Way Day Centre, Glenwood Primary School, Francis Higgins, Rev. Jack Lamb, Robert McClenaghan, New Life City Church, Ruth Petticrew, Raidiรณ Fรกilte, Shankill Area Social History Group, St Comgallโ€™s, St Maryโ€™s Primary School, St Stephenโ€™s & St Michaelโ€™s Young @ Heart Group, Townsend Enterprise Park businesses, Townsend Social Outreach Centre youth group and everyone in the community members and residents who took time to attend one of our drop-in sessions.

A crowd walks through the Townsend Street market with stalls and tents; nearby, four children play on an inflatable slide, their laughter adding to the vibrant sound links of the scene.